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  <channel><title>attitude | Hugo Ferreira</title>
    <link>https://hugo.ferreira.cc/tags/attitude/</link>
    <description>Recent content in Attitude by Hugo Ferreira</description>
    <image>
      <title>attitude | Hugo Ferreira</title>
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      <link>https://hugo.ferreira.cc/tags/attitude/</link>
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    <copyright>2000–2024 by Hugo Ferreira · CC BY 4.0</copyright>
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    <item>
      <title>🏞 The varieties of human work</title>
      <link>https://hugo.ferreira.cc/human-work/</link>
      <pubDate>Mon, 10 Jun 2024 19:36:42 +0000</pubDate>
      <guid>https://hugo.ferreira.cc/human-work/</guid>
      <description>“The Varieties Of Human Work” by Steven Shorrock (Safety Differently)
Early ergonomists realised that the analysis of work could not be limited to work as prescribed in procedures etc (le travail prescrit), nor to the observation of work actually done (le travail réalisé). Both have to be considered. But these are not the only varieties of work. Four basic varieties can be considered: work-as-imagined; work-as-prescribed; work-as-disclosed; and work-as-done. These are illustrated in the figure below, which shows that the varieties of human work do usually overlap, but not completely, leaving areas of commonality, and areas of difference.</description>
      <content:encoded><![CDATA[<figure><a href="https://humanisticsystems.comvarieties-of-work.jpg">
    <img loading="lazy" src="https://humanisticsystems.comvarieties-of-work.jpg"
         alt="Overlapping ovals in a Venn diagram style of each of the types of work: as imagined, as prescribed, as disclosed, and as done"/> </a><figcaption>
            <p>“<a href="https://safetydifferently.com/the-varieties-of-human-work/">The Varieties Of Human Work</a>” by <a href="https://safetydifferently.com/author/steven-shorrock/">Steven Shorrock</a>
                    <a href="https://safetydifferently.com">(Safety Differently)</a></p>
        </figcaption>
</figure>

<blockquote>
<p>Early ergonomists realised that the analysis of work could not be limited to work as prescribed in procedures etc (<em>le travail prescrit</em>), nor to the observation of work actually done (<em>le travail réalisé</em>). Both have to be considered. But these are not the only varieties of work. Four basic varieties can be considered: <strong>work-as-imagined</strong>; <strong>work-as-prescribed</strong>; <strong>work-as-disclosed</strong>; and <strong>work-as-done</strong>. These are illustrated in the figure below, which shows that the varieties of human work do usually overlap, but not completely, leaving areas of commonality, and areas of difference. Here we will consider each variety, one by one.</p>
</blockquote>
]]></content:encoded>
    </item>
    <item>
      <title>🏞 (image)</title>
      <link>https://hugo.ferreira.cc/knowing-how-to-not-give-a-shit-doesnt-mean-you/</link>
      <pubDate>Fri, 25 Jul 2014 07:07:28 +0000</pubDate>
      <guid>https://hugo.ferreira.cc/knowing-how-to-not-give-a-shit-doesnt-mean-you/</guid>
      <description>Knowing how to not give a shit doesn&amp;rsquo;t mean you never give a shit about anything. It just means that when you give a shit, it&amp;rsquo;s voluntary. You have a reason.
(via The elegant art of not giving a shit )</description>
      <content:encoded><![CDATA[<figure>
<a
href="https://hugo.ferreira.cc/knowing-how-to-not-give-a-shit-doesnt-mean-you/attachment/107/"
rel="attachment"><img
src="tumblr_n98xkmjJpQ1qz82meo1_1280-150x150.png"
width="150" height="150" /></a></figure>
<blockquote>
<p>Knowing how to not give a shit doesn&rsquo;t mean you never give a shit
about anything. It just means that when you give a shit, it&rsquo;s
voluntary. You have a reason.</p>
</blockquote>
<p>(via <a href="http://www.raptitude.com/2014/07/not-giving-a-shit">The elegant art of not giving a
shit</a> )</p>
]]></content:encoded>
    </item>
    <item>
      <title>📜 Don&#39;t hate, create</title>
      <link>https://hugo.ferreira.cc/dont-hate-create/</link>
      <pubDate>Fri, 10 Jan 2014 07:07:28 +0000</pubDate>
      <guid>https://hugo.ferreira.cc/dont-hate-create/</guid>
      <description>Don&amp;rsquo;t hate, create.
Ben Horowitz (in Can-Do vs. Can&amp;rsquo;t-Do Culture | Re/code )</description>
      <content:encoded><![CDATA[<blockquote>
<p>Don&rsquo;t hate, create.</p>
</blockquote>
<p>Ben Horowitz (in <a href="http://recode.net/2014/01/01/can-do-vs-cant-do-culture/">Can-Do vs. Can&rsquo;t-Do Culture  |
Re/code</a> )</p>
]]></content:encoded>
    </item>
    <item>
      <title>🏞 (image)</title>
      <link>https://hugo.ferreira.cc/inspired-by-a-shared-interest-in-the-striking/</link>
      <pubDate>Wed, 06 Nov 2013 07:07:28 +0000</pubDate>
      <guid>https://hugo.ferreira.cc/inspired-by-a-shared-interest-in-the-striking/</guid>
      <description>Inspired by a shared interest in the striking dress codes of various social groups, they have systematically documented numerous identities over the last 19 years. Rotterdam&amp;rsquo;s heterogeneous, multicultural street scene remains a major source of inspiration for Ari Versluis and Ellie Uyttenbroek (&amp;hellip;)
They call their series Exactitudes : a contraction of exact and attitude. By registering their subjects in an identical framework, with similar poses and a strictly observed dress code, Versluis and Uyttenbroek provide an almost scientific, anthropological record of people&amp;rsquo;s attempts to distinguish themselves from others by assuming a group identity.</description>
      <content:encoded><![CDATA[<figure>
<a
href="https://hugo.ferreira.cc/inspired-by-a-shared-interest-in-the-striking/attachment/333/"
rel="attachment"><img
src="tumblr_mvuqn0mtUH1qz82meo1_r1_500-150x150.png"
width="150" height="150" /></a></figure>
<blockquote>
<p>Inspired by a shared interest in the striking dress codes of various
social groups, they have systematically documented numerous identities
over the last 19 years. Rotterdam&rsquo;s heterogeneous, multicultural
street scene remains a major source of inspiration for Ari Versluis
and Ellie Uyttenbroek (&hellip;)</p>
<p>They call their series <strong>Exactitudes</strong> : a contraction of exact and
attitude. By registering their subjects in an identical framework,
with similar poses and a strictly observed dress code, Versluis and
Uyttenbroek provide an almost scientific, anthropological record of
people&rsquo;s attempts to distinguish themselves from others by assuming a
group identity.</p>
</blockquote>
<p>(via
<a href="http://www.exactitudes.com/index.php?/series/overview/140">Exactitudes®</a>
)</p>
]]></content:encoded>
    </item>
    <item>
      <title>📜 It matters not how strait the gate,</title>
      <link>https://hugo.ferreira.cc/it-matters-not-how-strait-the-gate-how-charged/</link>
      <pubDate>Sat, 26 Oct 2013 07:07:28 +0000</pubDate>
      <guid>https://hugo.ferreira.cc/it-matters-not-how-strait-the-gate-how-charged/</guid>
      <description>It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.
Invictus , poem by William Ernest Henley in 1875 (Victorian)</description>
      <content:encoded><![CDATA[<blockquote>
<p>It matters not how strait the gate,<br>
How charged with punishments the scroll,<br>
I am the master of my fate:<br>
I am the captain of my soul.</p>
</blockquote>
<p><a href="http://en.wikipedia.org/wiki/Invictus">Invictus</a> , poem by William
Ernest Henley in 1875 (Victorian)</p>
]]></content:encoded>
    </item>
    <item>
      <title>📜 &#34;Most artists can&#39;t draw.&#34;</title>
      <link>https://hugo.ferreira.cc/most-artists-cant-draw-roy-simmons-but-all/</link>
      <pubDate>Mon, 06 Feb 2012 07:07:28 +0000</pubDate>
      <guid>https://hugo.ferreira.cc/most-artists-cant-draw-roy-simmons-but-all/</guid>
      <description>&amp;ldquo;Most artists can&amp;rsquo;t draw.&amp;rdquo;
— Roy Simmons
But all artists can *see*!
Seth Godin
(in &amp;ldquo;The Linchpin&amp;rdquo;)</description>
      <content:encoded><![CDATA[<blockquote>
<p>&ldquo;Most artists can&rsquo;t draw.&rdquo;<br>
— Roy Simmons<br>
But all artists can *see*!</p>
</blockquote>
<p>Seth Godin<br>
(in &ldquo;The Linchpin&rdquo;)</p>
]]></content:encoded>
    </item>
    <item>
      <title>📜 Art is anything that&#39;s creative, passionate, and personal</title>
      <link>https://hugo.ferreira.cc/art-is-anything-thats-creative-passionate-and/</link>
      <pubDate>Mon, 06 Feb 2012 07:07:28 +0000</pubDate>
      <guid>https://hugo.ferreira.cc/art-is-anything-thats-creative-passionate-and/</guid>
      <description>Art is anything that&amp;rsquo;s creative, passionate, and personal.
(&amp;hellip;)
And great art resonates with the viewer, not only with the creator
Seth Godin
(in &amp;ldquo;The Linchpin&amp;rdquo;)</description>
      <content:encoded><![CDATA[<blockquote>
<p>Art is anything that&rsquo;s creative, passionate, and personal.<br>
(&hellip;)<br>
And great art resonates with the viewer, not only with the creator</p>
</blockquote>
<p>Seth Godin<br>
(in &ldquo;The Linchpin&rdquo;)</p>
]]></content:encoded>
    </item>
    <item>
      <title>📜 The software is wrong, not the people</title>
      <link>https://hugo.ferreira.cc/the-software-is-wrong-not-the-people/</link>
      <pubDate>Fri, 15 Jul 2011 07:07:28 +0000</pubDate>
      <guid>https://hugo.ferreira.cc/the-software-is-wrong-not-the-people/</guid>
      <description>The software is wrong, not the people.
Matt Mullenweg (vai Joe Flood )</description>
      <content:encoded><![CDATA[<blockquote>
<p>The software is wrong, not the people.</p>
</blockquote>
<p>Matt Mullenweg (vai <a href="http://joeflood.com/2011/07/13/the-software-is-wrong-not-the-people/">Joe
Flood</a>
)</p>
]]></content:encoded>
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